MY TRIP TO THE GRAND OPENING OF THE MUSTANG OWNERS MUSEUM

THE MUSTANG OWNERS MUSEUM OPENED IT’S DOORS WEDNESDAY APRIL 17, 2019 – IT IS LOCATED NEXT TO DANIEL AND DENNIS CARPENTER’S MUSTANG RESTORATION PARTS MANUFACTURING PLANT IN CONCORD, NC. ABOUT A MILE FROM CHARLOTTE MOTOR SPEEDWAY. SINCE I AM A FOUNDING MEMBER, I WAS INVITED TO BE ONE OF THE FIRST 500 IN ON WEDNESDAY MORNING BUT I DIDN’T ARRIVE IN CONCORD TILL THURDAY EVENING. I PLANNED TO GO BY THE MUSEUM FRIDAY MORNING BRIEFLY AND SPEND MOST OF THE DAY AT CHARLOTTE MOTOR SPEEDWAY WHERE THEY WERE HAVING THE 55TH YEAR MUSTANG SHOW. FRIDAY MORNINGS WEATHER FORCAST FOR THE DAY WAS CALLING FOR RAIN AND STORMS, SO I DECIDED TO SKIP THE SHOW THAT DAY AND GO CHECK OUT THE MUSEUM. I WAS REALLY IMPRESSED BY THE NUMBER OF CARS AND MEMORABILIA THEY HAD CONSIDERING THE PLACE WAS EMPTY JUST A FEW DAYS BEFORE. THERE WERE ABOUT 50 CARS INSIDE. SOME INCLUDED AN EARLY CONVERTBLE USED ON THE MAGIC SKYWAY AT THE FORD PAVILLION DURING THE 1964 WORLDS FAIR WHERE THE MUSTANG WAS INTRODUCED, A DISPLAY OF ALL THREE PACE CAR EDITIONS FROM 65,79 & 94, A COUPLE OF HIGHWAY PATROL FOX BODY CARS, A 2009 IACOCCA EDITION MUSTANG, AN ORIGINAL BARN FIND IN A SMALL BARN BUILT IN THE MUSEUM AND THERE WAS A GOOD AMOUNT OF MEMORABILIA TO LOOK AT ALL AROUND THE MUSEUM. MCA HAD A CORNER OF THE MUSEUM WITH A DISPLAY OF CARS AND PICTURES FROM THE MUSTANG TIMES OVER THE YEARS. OF COURSE, THERE WAS A GIFT SHOP WITH T-SHIRTS, HATS AND STUFF YOU COULD BUY. THERE WAS A SMALL ROOM OFF OF THE MUSEUM WHERE A LADY WAS SELLING SOME OF HER PERSONAL COLLECTION OF MUSTANG “STUFF” MOSTLY MODEL KITS AND DIECAST. THE PROCEEDS WERE GOING TO THE MUSEUM. I GOT TO TALKING WITH HER AND FOUND OUT SHE USE TO OWN THE SONNY & CHER MUSTANGS. I HAD SEEN THEM AT CHARLOTTE MOTOR SPEEDWAY AT THE 30TH CELEBRATION WHEN SHE HAD THEM TRAILORED OVER FROM CALIFORNIA TO THE SHOW. THE CARS HAVE BEEN SOLD A FEW TIMES SINCE THEN. OUTSIDE THERE WAS A NEW JOEY LOGANO MUSTANG NASCAR AND A 2020 SHELBY GT 500 ON DISPLAY. FRIDAY NIGHT, I HAD A TICKET TO ATTEND THE HALL OF FAME DINNER AT THE MUSEUM. MEMBERS VOTED ON HALL OF FAME INDUCTEES EARLIER IN THE YEAR AND THE WINNERS WERE THERE TO SPEAK AND BE PRESENTED A PLAQUE. WINNERS INCLUDED GALE HALDERMAN, JOHN CLOR AND KEVIN MARTI. BY SATURDAY, THE RAIN HAD STOPPED BUT IT WAS COOL AND I HEADED TO THE SPEEDWAY FOR THE SHOW. AFTER PARKING IN THE SHOW, I MADE MY WAY AROUND LOOKING AT THE CARS AND MANY VENDORS WERE SET UP AROUND THE TRACK. I DIDN’T BOTHER CLEANING UP MY CAR AT THIS SHOW SINCE THERE WAS STILL THE THREAT OF RAIN AND IT WAS TOO COLD AND WINDY. THERE WASN’T ANY JUDGING GOING ON, MORE OF A CRUISE-IN. AFTER 2 HOURS, I LEFT AND WENT BACK TO THE MUSEUM. A COUPLE OF PEOPLE I SAT WITH AT THE DINNER THE NIGHT BEFORE WERE TALKING ABOUT TOURING THE CARPENTER MUSEUMS BEHIND THE MUSTANG MUSEUM SO I DECIDED TO GO CHECK THOSE OUT. I’M GLAD I DID. THEY HAVE A WONDERFUL COLLECTION OF CARS AND SO MUCH MEMORABILIA. A LOT OF IT FOR SALE TOO. IT IS A MUST SEE IF YOUR VISITING THE CONCORD AREA. THE MUSTANG OWNERS MUSEUM IS OPEN MONDAY – SATURDAY 10-5 AND SUNDAY 12-5. CHILDREN 15 & YOUNGER FREE. ADMISSION IS $10.

I JUST WANT TO ADD A NOTE TO DICK ZIGLER THAT I’M SORRY I DIDN’T GET TO A CRACKER BARREL ON THIS TRIP, BUT I DID VISIT A WAFFLE HOUSE TWICE! BY: STEVE YOUNG

The Cobra Story: Part 2

By Alex Gabbard

            By 1963, Cobra roadsters were racing in all sorts of events, but top speed in such events as Daytona, Sebring, and Le Mans proved lacking in the open car. A slicker coupe was needed to challenge Ferrari, even though the Bolton/Sanderson 7th overall at Le Mans that year (2,591.8 miles averaging 107.99 mph for the race in winning the 5-liter class) showed the chassis, drive line, and 289 engine had the stamina for such grueling long distance races.        

            The Pete Brock designed Daytona Coupe showed the way to winning international races against Ferrari, and a total of six chassis were readied at Shelby American for coupe bodies. All but the first were built and fitted by Carrozzeria Grand Sport of Modena, Italy (Ferrari’s home town). These new Cobras were built to conform to FIA regulations that stated that a car’s body shape could be changed as long as the chassis, driveline, and engine remained as homologated. The new Cobra coupe, named the Daytona Coupe for its first appearance in the Daytona Continental 2000Km, predecessor of the 24-Hour, proved to have two benefits; it was about 20 mph faster than the roadster with the same power and, surprisingly, used less fuel per lap. They raced in either Guardsman Blue or Viking Blue livery with white stripes, blue and white being America’s colors in international racing.   

             The next year, Dan Gurney and Jerry Grant won the GT Over 3‑liter class of Sicily’s infamous Targa Florio enduro in a roadster while the Jo Schlesser/Dickie Attwood team won the same class in Germany=s Nurburgring 1000Km. Highlight of the 1964 season was the great French classic, the 24‑Hours of Le Mans. In the much acclaimed Ferrari-Ford battle, the Daytona Coupe performed magnificently in the hands of Gurney and Bob Bondurant when they finished 4th overall (2,778.39 miles averaging 115.77 mph in CSX2299, Viking blue) and led the GT class ahead of Ferrari’s latest coupe, the GTO, by 79 miles.

            The season proved to be a much vaunted showdown between the Shelby team and Scuderia Ferrari to the last race of the season. Cobra was favored to win at the cathedral of Italian motor racing, the fast but decaying and haunted Autodoro Nazionale at Monza, northeast of Milan, but politics saved the championship for Enzo that year on his home turf. Enzo got Monza concealed to preserve his point lead to take another World Manufacturers Championship..

            The next season, 1965, raised the hype, Cobra or Ferrari. All six Daytona coupes were complete, and four of them ran the European races that year scoring nine wins, eight seconds, three thirds, and one fourth. Even though Ferrari took the first three places at Le Mans, the last for years to come as the Ford GT-40s ruled for the next four years, the Shelby team nailed the red machines to the wall as predicted. Carroll Shelby’s Cobra works won America’s only World Manufacturers Championship that year and proved the Ford powered Cobra to be the world’s most formidable production sports car.

            All of the Mk I (260 powered) and Mk II (289 powered) Cobras were transverse leaf spring cars (655 built) and scored USRRC, ARRC, SCCA championships during 1963 and ’64 while 289 powered “Dragonsnake” Cobras scored an NHRA World Champion in 1966.

            But that’s not the end of the Daytona Coupe story. Their achievements have been well documented over the years, particularly by the Shelby American Automobile Club, but one aspect of their achievements has not become as widely recognized. The cars evoke visions of blistering European road races against Ferraris and Porsches, not blasting down the Bonneville Salt Flats in world land speed records attempts. They did that, too!

            The year 1965 was a big one for Carroll Shelby and his team. After bringing the FIA World Championship Daytona Coupes to California, there was time left for another go. Craig Breedlove and Bobby Tatro took one of the coupes to Bonneville and smashed the International Class C speed records. That class for cars powered by 183-to-305 cubic inch engines was a natural for the Coupes. The Cobra they used for the November runs was the car that had been on tour around the country (CSX-2287, the first Daytona Coupe built). It received little more than a fresh 289 engine. Breedlove and Tatro drove the car for 12 hours and set 16 national and 7 international records. After 3 hours, Tatro had set the new mark at 159.98 mph. After 200 miles, he had reached an average of 161.65 mph. Then Breedlove set the fastest speed of 165.59 mph. Overall, the car ran 1,801 miles in 12 hours to average 150.09 mph, including pit stops, another astounding accomplishment in the Cobra saga.

            This Daytona Coupe ran pump gas and Goodyear Blue Streak tires as used in road racing. It proved the Cobra coupe concept at speeds that set the bar as the fastest car of its type flat out, in a car whose aerodynamics penned by Pete Brock was first proclaimed by a noted aircraft designer to be a brick incapable of the high speeds the cars repeatedly displayed.

            Answering that assertion, SAAC records tell that Brock protested to Shelby saying, “Have I ever let you down?

Ol’ Shel allowed, “Nope,” and the big gamble continued.

“In less than 90 days a bulbous aluminum shape patched with plexiglass windows was pushed onto a low, single-axle trailer and hauled across the coastal plain to Riverside. It had neither hoop or airfoil nor ducktail spoiler. Brock did not want the drag of the spoiler and [Phil] Remington drew the line at having his men build anything as silly as an upside-down airplane wing for the back of a car….

“Brutal would be too strong a word to describe the shape, but sleek would also be wrong. As it idled raucously on the pit apron the unpainted skin trembled and sparkled. [Ken] Miles slipped carefully into the tiny door and positioned himself in the tight seat. The rumble rose quickly to a roar as the car gathered speed and climbed out of the pits and over the bridge toward Turn Two. Ken Miles knew Cobras as well as anyone, and he knew Riverside cold. As he warmed the car the crew walked across the paddock to the back straight and brought out the watches. As the silver coupe twitched out of Turn Eight and exploded down the long straight the clocks began running: one hundred sixty-five, first time out. Suddenly dozens of teeth were exposed behind a row of grins.

“Tony Hogg [editor of Road & Track] joined Miles for a few laps at speed in the new coupe. He described the experience in Road & Track as ‘… shatteringly noisy.’ He expanded with, ‘The car must be driven with considerable elan.’

“Pete Brock’s intuition about how cars behave on the ground had been right. The coupe was still about 10 mph slower that Ferrari’s GTO but the Cobra’s remarkable acceleration out of the corners would give it an advantage for lap times. It could win.”

 Ten days after the Cobra runs, Breedlove climbed into his “Spirit of America – Sonic 1” jet car and shot Bonneville’s black line at 600.6 mph to set the out-right World Land Speed record, a new high in human achievement. The next year, Shelby took the GT-40s to Europe and trounced everything.

The Cobra Story: Part 1

Pretty girls and fast cars… or fast girls and pretty cars… May during her time as a model with a full comp 289 Cobra.

By Alex Gabbard

            The two‑seat British built roadster known variously at the AC Cobra, 289 Cobra, or Ford Cobra became the Greatest American Sports Car of it time proven in competition. It was an idea born from Carroll Shelby=s American and World Championship level sports car racing combined with his desire to build and market a car that would be faster than the contemporary Corvette, Jaguar, and Ferrari.

            Shelby retired from racing after becoming the SCCA National Driver Champion in 1956 and ’57, after co‑driving the Aston Martin DBR1 that won the 24‑Hours of Le Mans in 1959, after being an Aston Martin team driver that won the World Sports Car Championship that year; and after becoming the USAC National Road Racing Champion in 1960. But, he wasn=t through. He wanted to come back into racing as a builder, not a driver. His failing heart required a less rigorous lifestyle than eating nitroglycerine pills while racing.

            So, building on his acclaim as a champion driver and Ford=s interest in having a ATotal Performance@ sports car that could beat arch-rival Chevrolet=s Corvette, Shelby was in a good position. Ford had the engine, the new “thin wall casting 260”, but the Texan needed a car. When a friend mentioned that A.C. Cars, Ltd. announced that it would be dropping the famed Ace line of roadsters from production because its engine supplier, Bristol, would no longer be supplying engines, Shelby found the car. The deal was struck between Ford and Shelby, Shelby and A.C. Cars, and the Cobra was born with styling improvements from the Ace.

            When the first Cobra was shipped from AC Cars on February 2, 1962 and received later in Los Angeles, all it needed was an engine, transmission, and body paint. Shelby and Dean Moon of the “Moon Equipped” hot rod parts fame, (do you remember the “Moon Eyes”), spent less than eight hours fitting the second engine received from Ford, a HiPo 260 and a Borg‑Warner 4‑spd transmission. Once completed, Shelby and Moon roared off through the Sante Fe Springs oil fields near Moon’s shop. The car proved to be faster than Shelby had hoped for, and he no doubt began to see the reality of his earlier threat to Enzo Ferrari, “Someday I’ll blow your ass off”, taking shape.

            Once the word got out that Shelby had a hot new sports car, auto magazines lined up to test it. The first to get a shot at the car got a silver Cobra because there wasn’t time to paint it. Shelby and friends spent several dozen boxes of steel wool soap pads polishing the car’s aluminum body. Road & Track was next, and they got a yellow Cobra, in fact the same car but now painted. It so impressed R&T that the car made the cover. Sports Car Graphic tested the car, now painted red and proclaimed that, “Its acceleration…can only be described as explosive.”

            With such coverage, the Cobra suddenly became an established marque, even if there was only one car. Each magazine got a different color car, first silver, then yellow, red and so on as Shelby and Co. repainted the same car giving the impression that Shelby’s factory was turning out dozens of the cars.

            The Cobra generated great excitement, and Shelby was quick to promote special racing versions of the car that were said to be even faster than the impressive street cars. No other car so overwhelmed the sports car arena as the Cobra, and magazines heaped praise upon its stunning performance as both a docile street machine in traffic and a 150 mph bullet in a single package.

            When the second car was received from AC Cars during May, 1962, Shelby and Ford had already established a network of dealerships across the U.S. The third car became Shelby’s first racing Cobra, and his legendary, story‑book rise to success was about to take off like a rocket. Even though the Cobra/AC Cars chassis was an out‑dated leaf spring design from the early ’50s, the combination of light weight, engine power, and excellent weight distribution produced a sports-racing machine with superb handling that had been well proven by the Ace. Throughout production, Cobras were continually updated as improvements were brought from race tracks to the factory. Thus, few Cobras were built exactly alike. Intensive and thorough development of competition Cobras made them very sophisticated racing cars with a huge list of options available to any Cobra buyer. They were a true “roll your own” sports car for whatever interests, especially racing; Shelby’s main interest.

            He would soon nail Ferrari to the wall, win everything there was to win, and show the world that America and Ford V8 engines could humble the best of Europe’s high‑winders. Cobra number CSX2026 took the marque’s first win at Riverside in January, 1963. It also raced as a Shelby American team car in the Daytona Continental the next month and finished 4th overall. Then came Sebring with NASCAR’s famous stock car driver, Glen “Fireball” Roberts co‑driving. The car also won the USRRC at Watkins Glen.

            In the beginning, early 1963, there were four Shelby American team cars and 6 independents racing SCCA, USRRC, and FIA (international) races everywhere they could. And, because rules were different for different organizations, the cars had to be suitably prepared for each type of racing. In some cases, they even ran in different classes in back‑to‑back events by changing something on the car, say ‑ removing the windshield.

            The purpose of the Cobra was to win races, and Shelby offered independents everything his team cars had as well as limited factory backing. As Cobra production increased, Shelby American offered racing specials as factory built competition cars just like the team cars. There were several types; the “Sebring Cars” (3 built), the “Riverside Replica” (1 built), “Le Mans Cars” (2 built), “Le Mans Replica” (6 built), “FIA Roadsters” (5 built), “USRRC Roadsters” (12 built although 6 of these were built primarily for SCCA A/P racing), “Daytona Coupe” (6 built). In addition, there were 28 known independently prepared Cobra racing cars. Cobras were the hottest thing going, and they left their imprint forever emblazoned in the history of American and International racing.

            The first 75 were HiPo 260 powered, and in just their second year of existence, the Cobra won the 1963 USRRC Championship and humiliated the Corvette crowd that had become accustomed to dominating production class racing. It was just the beginning. Competition Cobras were offered for $7,220.00, about double the price of a Corvette, and if you had to have more, there was more; engines became the HiPo 289 during 1964. The Stage III Shelby American team car replica with the full spec IV‑R engine with four IDA 48 Webers went for $9,500. This was the car that blew away Ferraris, Jaguars, and Corvettes alike. They were identical to the team cars that won the SCCA A/Production Championship and the Drivers Championship. These cars were personally tested by Ken Miles, the top Shelby American team driver, at Riverside and guaranteed to equal the best lap time of the team cars ‑ the GT lap record ‑ and complied with SCCA and FIA Class III GT regulations.

            The specials like the Le Mans cars and replicas, the FIA roadsters and especially the Daytona Coupes, won many international GT races and came within a whisker of beating Ferrari in 1964 for the FIA World Manufacturers Championship, the first time any American sports car had been so competitive. Cobra would likely have taken that title if Enzo had not brought his considerable influence to bear on FIA officials to cancel the last race of the season, Monza. The hallowed and haunted Autodromo Nazionale at Monza dated to 1922 and was hallowed because it was Ferrari’s home track and haunted because more top drivers had been killed there than any other circuit, taking a number of spectators with them.

            Prior to the emergence of the Ford GT threat to European road racing, Ford and Shelby  campaigned Cobras in Europe. On the high speed endurance circuits like Le Mans where the cars raced perhaps 3,000 miles for 24 hours, aerodynamics was seen to be important, and open roadsters were not well suited for the task. Pete Brock at Shelby American designed a beautiful coupe body for the leaf spring chassis. Under FIA rules, a coupe body could be raced on a conventional Cobra even though they were not a regular production item offered to the public as long as the chassis and drive line remained unchanged.

            The Daytona Coupe remains the most exotic of the Cobra line and was built for the sole purpose of ending Ferrari’s stranglehold of GT World Championships. The coupe bodies allowed the 380 hp Cobra a 20 mph increase in top speed and an unanticipated increase in fuel economy. With the proven reliability of the basic car, they more than matched the best that Ferrari could muster.

            In a sly twist, Ferrari’s 250 GTO did not actually qualify for FIA Grand Touring class racing because only 40 were built while Shelby met the letter and spirit of the regulations by building more than the required 100. The way Ferrari got around the GT homologation rules was by saying the GTO was nothing more than a re‑bodied 250 SWB (Short Wheel Base) Berlinetta which it clearly was not.

            By 1964, Cobra roadsters and coupes were racing in all sorts of international events. Dan Gurney and Jerry Grant won the GT Over 3‑liter class of Sicily’s grueling Targa Florio enduro while the Jo Schlesser/Dickie Attwood team won the same class in Germany= s Nurburgring 1000Km. In the great French classic, the 24‑Hours of Le Mans, the Daytona Coupe performed magnificently in hands of Gurney and Bob Bondurant when they finished 4th overall and led the GT class ahead of a GTO. No Cobras placed at Spa where the GTO took a 1‑2‑3‑4 sweep, and suddenly Ferrari was back in the season-long points race. The red machines then placed 3‑4 in the Riems 12‑Hour without a Cobra placing again. Then, Gurney showed the Cobra’s mettle by taking a 1st GT finish at Goodwood and finishing 3rd overall in the RAC Tourist Trophy in a Cobra 3‑4‑5 sweep ahead of the nearest GTO. Ken Miles looked really impressive in the Bridgehampton Double 500 finishing 3rd overall to lead the GT class, but it was to no avail. Enzo Ferrari saw the future and maneuvered politically to save another FIA World GT title for himself. A loss in the final race, Monza, was avoided when he had it canceled, a maneuver that saddened the Ferraristis who proclaimed such a final showdown would prove the red machines superior.

            During 1965, there was no stopping Shelby’s well prepared machines. All six coupes were complete and raced under the Guardsman Blue team color with twin white “Le Mans” stripes running the length of their bodies. Four Daytona Coupes ran the European races that year and scored nine wins, eight seconds, three thirds, and one fourth. Ferrari was nailed to the wall as predicted. Carroll Shelby’s Cobra works won America’s only World Manufacturers Championship that year.

            The Ford powered Cobra proved to be the world’s most formidable production sports car. All of them were independent suspension leaf spring cars (655 were built) and scored USRRC championships in 1963 and ’64; the 1965 FIA World GT Championship; the 1964 ARRC A/Production national title; and the SCCA A/Production national championship in both 1964 and ’65. Add to that the drag racing titles and records set by 289 powered “Dragonsnake” roasters (1966 NHRA World Champion), and what you have is proof that the little Cobra was indeed “the greatest American sports car!” of its time.